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Waterproof Kitchen Apron Combo, william-lighting.com, APRON

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These remaining Maltese scans were enclosed by mistake – but I’ll post them anyway. This first one is from The Wabbit Who Came To Supper (1942), the one below that is from Baseball Bugs (1945) – note how horribly faded the color is on the lettering on this one. All the more reason we continue to prioritize film preservation.APRON

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Waterproof Kitchen Apron Combo

Songs from Films: Lady and the Tramp: “Lady,” “Bella Notte,” “La La Lu” by Peggy Lee and Sonny Burke; “Home Sweet Home” (Traditional). The Shaggy Dog: Title Song by Paul J. Smith and Gil (Hazel) George. Old Yeller: Title Song by Oliver Wallace and Gil (Hazel) George.

He told me that was why those “Beany and Cecil” animated cartoons had the song “A Bob Clampett CartooooOOOooon!” and a caricature of him so that people would associate those cartoons with Bob just as people associated Walt with Mickey and the gang.

Hiroshi Nagahama, director of Uzumaki, made a personal appearance in a new video released this afternoon to apologize for the delay. As he explained, COVID hit the production of this anime especially hard and the entire process had to be restructured. Nagahama says they should be able to get Uzumaki done by October 2022, and to prove it, he showed the first few seconds of the anime in completed form.

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As life progressed into the 70’s the subject of exercise perhaps started to fade slightly from the forefront of politicization. The era of Vietnam brought more protests against military involvements, and potentially de-popularized the notion that all youth must be maintained in Army-ready fitness. But, Madison Avenue would continue to pick up the slack where government campaigns let off, and the image of a slim, trim you would still be heavily promoted as an ideal – particularly where the female population was concerned. Thus, it seemed the emphasis shifted by gender – no longer concerned with supporting troop lines, but merely with making America aesthetically pleasing to the eye – and turning a quick profit in the process. And the animated cartoon, in its never-ending quest for thinner pencil lines, went marching on.

Treadmill work is the next step. The coach revs up the machine to a furious pace. “Keep it up until I get back.” When he returns, Panther has the situation well in control, not moving a muscle – as he is wearing a pair of inline skates. The angry coach grabs a power saw and slices the wheels out from under him, setting up Pink for a trip around the belt resembling George Jetson on his dog walker. The coach concludes the only thing getting buffed is Panther’s tail, so turns to his “one last hope” – a rennovated car wash, which he calls “the Bufferator”. He attaches a rope and hook to Pinky’s gym shirt, and Pinky is hauled through the machine, forced inside to endure levels of hugh-speed rope skipping, bike pedaling, and bag punching. As he emerges from the machine, the coach asks, “How was it?” “Anyone ever make it out of that thing alive?”, responds Panther, as he collapses on the floor. However, the machine has performed its purpose, as muscles begin to appear on the Panther’s physique like inflating balloons. Within a few moments, he has a body-builder’s build, and the coach dubs him “The Panthenator” (reference to Arnold Schwarzenegger’s “Terminator” franchise).

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At the time, people were talking about Carmen Jones, a black version of the famous Carmen opera and that might also have inspired Clampett.
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